1 10 162 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Roy Rosenzweig cannot die and as long as his students live, he will not die. I am one of his students and I carry a lot of Roy Rosenzweig with me everywhere I go. It was Roy’s book, The Park and the People, that inspired me to return to college. Little did I know when I applied to the history department at George Mason that Roy was on the faculty, that I would get to work with him as a student and as a researcher, and that my life would be profoundly changed not only by the book, but also and moreso by the man. My years at George Mason were the best of my life because of the collegiality created by the faculty, the staff, and my fellow students. I remember being petrified the first time I went to meet Larry Levine in his office. I diverted my eyes from the great scholar by looking over to a picture of Lou Gehrig that hung from Larry’s wall. Larry knew I was nervous and found common ground by talking about how much his father looked up to Gehrig because the great Yankee first baseman went to work every day without complaint, just like all the working guys in New York who were trying to do right by their families. I often went back to Larry’s office after that, and not to look at Lou Gherig. But I remember Roy most of all. He welcomed everyone into his great adventure. He was like the captain of a raft: “here’s an oar” I can imagine him saying, “and I’ll teach you how to use it.” Then he would inspire you to want to paddle, hard, up that river of knowledge. I’ve never known a scholar so enthusiastic about his craft. And I’ve never known anyone whose enthusiasm for anything was as contagious. With Roy, one wanted to stay with him forever to explore every nook and cranny that ever appeared on the face of the earth. You get that sense when you read The Park and the People. And you got that sense when you took his classes or worked at his Center. No voyage undertaken by Lewis & Clark or by John Glenn could possibly have been as rewarding or as interesting as the adventures that Roy led. As humans, we summarize our lives in moments that stand for larger ideas or episodes. Life is too long to remember everything, so these moments stand in for feelings, people, experiences, impressions, years…. The two and a half years that I worked with the extraordinary teachers, staff, and students at George Mason are summarized in one of these moments. I remember walking with Roy from the Pohick Module to the history department office. The Center had just received a telephone call that Larry was back from California and on the walk over to Robinson Hall, Roy was happy, excited, and anxious. Well he was always a little like that. But that day, he was really like a kid on his birthday. Larry was still in the reception area when we arrived and Larry and Roy, two of the brightest minds, two of the greatest scholars, and two of the most inspiring teachers in the field of history gave each other a big hug. That moment summarized my years at George Mason: scholarship, inspiration, and humanity. Roy is not dead. Larry is not dead. As long as their students produce revolutionary scholarship, and send the next generation of students on wonderful journeys, and treat others with great humanity, Roy and Larry live on. And so, Roy’s marvelous adventure continues. Thank you Roy. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 19 Title A name given to the resource Roy's Marvelous Adventure Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Greg Goodale Contributor An entity responsible for making contributions to the resource Greg Goodale Type The nature or genre of the resource Document Humanity Inspiration scholarship Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Where to begin? It’s the only possible response when asked to remember Roy Rosenzweig. Academics are fortunate if they are able to become pioneers or innovators in a single field; Roy managed to found or advance at least three fields: social history, public history, and digital history. And we often suspect that pioneers and innovators have character flaws associated with the dogged pursuit of the cutting edge: narcissism, aggression, humorlessness. Yet everyone who knew Roy was amazed at his unparalleled combination of brilliance, insight, and incredible hard work with humility, generosity, and laugh-out-loud wit. Eight years ago I received a call from Roy, who had heard through a mutual acquaintance that I had moved to Washington. I only vaguely knew of Roy, and had no idea why he should want to talk to me, but nevertheless agreed to meet him for lunch. I’m so profoundly thankful I answered his call. Roy and I ate at a restaurant near his house and had some nice conversation. I thought little of our casual meeting until a year later, when Roy called me to say that he had just gotten a grant and had remembered a few points I had made over lunch and how relevant they were to the grant proposal. The only thing I could only remember from a year earlier was that Roy was bursting with energy and ideas and had consumed more coffee over lunch than I drink in a week. We met again for lunch and by the end of the meal he had convinced me to come work with him. That’s how it began for me, and for countless others. Sitting on a panel with Roy at a conference, meeting randomly over coffee, receiving a congratulatory email from him about an article you had written. No matter how trivial the reason behind the first contact, Roy would remember you, and he would often move these minor encounters—the kind most of us have every day and think nothing of—onto a path toward collaboration and friendship. I know of no one with as large an address book and as many friends as Roy. But he didn’t just collect these acquaintances superficially, for show or for his own career ends like so many people do on Facebook or LinkedIn. As his social histories of the United States also emphasize, he viewed every human being as a special resource who brings unique talents and ideas into the world, and he liked nothing more than to connect people with each other. Almost every topic of conversation prompted a welcome referral from Roy: “You should talk to my friend so-and-so, who has done some really interesting work on that subject.” The history of family photos? “She wrote a great article on that.” Standards for library catalogs? “Met this guy at the Library of Congress.” Byzantine art? Documentary filmmaking? Preservation of eight-track tapes? Him, her, and you’re not going to believe this but here’s an email address for you. Now go contact them. But Roy didn’t just bring his many acquaintances together. He reveled himself in collaborating with others. Roy found it deeply unfortunate that unlike in the sciences, the humanities suffered from a serious lack of collaboration. He scoffed at the mythical ideal of the intellectual toiling alone on the great book. Roy co-authored over a dozen major works, not to mention the scores of highly collaborative digital projects at the Center for History and New Media, which he founded at George Mason University in 1994. A typical but still remarkable moment occurred when Roy received the Richard W. Lyman Award (presented by the National Humanities Center and the Rockefeller Foundation) in 2003 for “outstanding achievement in the use of information technology to advance scholarship and teaching in the humanities.” He got up on stage, used his computer to project a giant list of names onto a screen, and said, “These are all of the people I collaborated with on the projects that this award honors. These are the people that did the work, and I want to thank them.” Of course, that was just Roy being his usual humble self. Roy’s collaborators will readily admit not only how wonderful but also how daunting it was to work with him. To paraphrase Paul Erdös, Roy was a machine for turning coffee into publications and websites. With his incredible mind and a large coffee nearly always by his side, he was able to produce such a wide and deep array of creative works. When we were writing a book together I would slowly plod along while insightful, beautiful prose seemed to pop off of his laptop at a disturbingly rapid pace. Working with him on a project forced you to elevate yourself, to do the best you could do. Long before Roy became ill, the staff at the Center for History and New Media would ponder (when Roy was out of the room) what we would do decades hence, when we expected Roy would finally leave this world. In the spirit of Roy’s humor, some of us decided that we would simply have to preserve his brain in a giant vat of fresh-brewed coffee. Others took their cue from science fiction and thought we could transfer his mind onto silicon for the continued benefit of future generations. If only we could have done so. But perhaps in a partial sense that is what has happened over the last decade. Roy’s thoughts and vision sit on the Center for History and New Media’s server, silently connecting with thousands of people every day, and his books and articles connect with thousands more. If only those people could have met Roy Rosenzweig in person. He would have liked to have had coffee with them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 15 Title A name given to the resource Remembering Roy Rosenzweig Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Dan Cohen Contributor An entity responsible for making contributions to the resource Dan Cohen Type The nature or genre of the resource Document chnm coffee collaboration Digital History personal recollection Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My friendship with Roy goes back more than a quarter century. We met at the Radical History Review in the late 1970s, where we were both editors, hit it off pretty quickly because we were both interested in non-traditional ways to do history, and decided we’d work together on what would become the Public History issue of the RHR. That volume was our first collaboration and became Presenting the Past, the first book published (in 1986) in the Critical Perspectives on the Past series at Temple University Press that I had the good fortune to co-edit with Roy and the late Susan Porter Benson for twenty years. When Herb Gutman and I launched the American Social History Project in 1981, Roy was on the first (and every subsequent) directors/advisory/editorial board we set up to help us run ASHP. Roy helped me get the first edition of the Who Built America? textbook finished in 1989 and 1991, in the years after Herb Gutman died. He advised ASHP on every one of our multimedia projects, including films and videos as well as teacher guides and teacher training projects. We entered the wonderful world of computers together, buying matching Kaypro II computers (which ran the now defunct CPM operating system) in 1982, Roy to do his own academic work and my ASHP colleagues and me to write the WBA? textbook. Our early shared use of computers led us to start poking around the emerging field of computer controlled media in the late 1980s. I was down in Arlington visiting one time in 1989 and Roy and I took the Metro into DC near Union Station to visit a new exhibit of computer controlled training tools and programs that some company or museum was displaying (I remember that one of them focused on training fire fighters). Out of that exposure came the idea that we really wanted to explore the uses of multimedia to do history. We’d been doing films and videos but the computer opened up immense vistas for teaching and learning. Very soon after that (in 1990) I got a call from Bob Stein, who headed a company called Voyager, who said he wanted to turn WBA? into the first electronic textbook and we (meaning ASHP and Roy) were off on the wild Toad’s ride of creating what became the first history CD-ROM, which Voyager published in 1993. That’s the origins of Roy’s (and our) descent (or ascent, depending on your perspective) into the wonderful world of multimedia. I spent a great deal of time down in Arlington with Roy at the Jackson house in those years writing and thinking about what the WBA? CD-ROM would look like. Sometime in that period (I can’t remember exactly when, but maybe 1992), Deborah, despairing that Roy was never going to do anything other than work all the time on his computer, announced one night at the dinner table that she thought they both needed hobbies, things that would get them to focus on something other than their academic work. She suggested that they both think about what those new hobbies might be and we’d discuss it at dinner in a few nights. I was then witness to the following exchange (this is not a verbatim transcript, but it’s pretty damned close!): Deborah (brightly): “Well, I’ve thought a lot about what my hobby should be and I’ve decided I’m going to take up gourmet cooking.” Roy (sitting in uneasy silence): Deborah (imploringly): “Roy, have you given this some thought? Have you come up with a hobby?” Roy (hopefully): “Can the computer be my hobby?” I laugh every time I think about this story. It speaks to Roy’s singlemindedness of purpose and his ridiculous intensity and capacity for work, which everyone who knew him admired and was daunted by. I learned after many years of collaborating with Roy that the best thing to do was sit back and admire that dedication and tenacity (and greatly benefit from it) and never, ever (unless you were a masochist) try to match it or him. He was and will always be one of a kind, a brilliant, loving, intense, supportive and totally unique human being. He will be missed by all of us for a very long time, in large measure, because there is no one quite like him and never will be. We miss you and we love you, Roy. And, as Mike O’Malley said to me a few days after Roy died, “How are we supposed to get through things without Roy drawing up our To Do lists?” Steve Brier Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 21 Title A name given to the resource Roy's Hobby"" Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Steve Brier Contributor An entity responsible for making contributions to the resource Steve Brier Type The nature or genre of the resource Document computers friendship roy work Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. This is a message not only from myself but from the many researchers and activists working in applied and public history across Australia. Over the years we have all been excited and stimulated by Roy's wonderful, varied work. We have been deeply saddened by the news of Roy's death and we are all grieving for the loss of such an extraordinarily generous and creative colleague. Our sympathies and warmest thoughts go to Roy's family and his wider family of colleagues in and out of history. Roy's work in digital history meant he was an extraordinary communicator across vast distances both in kilometers and cultures. So even from halfway round the world, we found his work a great inspiration. It has encouraged many of us not only in academic history research but much more importantly in the work of democratising history and using new media to do it. His work will keep doing that and it is great to be able to share in its celebration here! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 23 Title A name given to the resource Warm memories and thanks from Australia Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Heather Goodall Contributor An entity responsible for making contributions to the resource Heather Goodall Type The nature or genre of the resource Document applied history Australia democratising Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. It was funny one day working in the office and a man came up and started to ask a bunch of the interns there names. Not really paying attention to it I continued to work when I felt a tap on the shoulder. Taking off the headphones this man asked me for my name I said “Misha” and out of nowhere he said “I remember you.” And with that he walked away holding a coffee mug out of the lab and into the hallway. It was only a few moments later did someone mention his name did I put two and two together and figure out it was Roy himself. As the summer rolled on I saw him occasionally walk through the computer lab saying hi to everyone always being cheerful. Although I interacted very little with him, when he came by to view the movies he said what others say was his famous line “Hey I know so and so, who worked on this before. I’ll ask him if he can come by and take a look.” And so the next day sure enough his friend came by and helped me out a lot. When I received the e-mail about Roy’s death, one question still lurked in my head, “how did he know me before I met him?” And then it hit me. The day when I came in for my interview back in June I was sitting at the conference table waiting, and I remember him sitting next to me shuffling some papers as people were writing a timeline on the whiteboard. All I can remember is exchanging a quick “hi” and that was it. At most it was a total of ten seconds. I know personally if say hi to a stranger for ten seconds there is a good chance that I won’t remember them a month later. But Roy was different; somehow he would remember you even if you did not remember him. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 24 Title A name given to the resource The Stranger Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Misha Vinokur Contributor An entity responsible for making contributions to the resource Misha Vinokur Type The nature or genre of the resource Document coffee Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I only knew Roy for a little over a year, but I can tell you one thing about the guy: he really liked apples. When Roy ate an apple – as he did at nearly every lunch – he began in a completely ordinary fashion, orbiting around the fruit with a series of bites just like anyone else. Move along, nothing to see here. When only what might be considered a typical apple core remained, Roy then began to take smaller nibbles of the few remaining bits of fruit flesh, exposing now the seriously fibrous components of the apple. Again, nothing you or I haven’t done with an especially delicious apple or on a particularly empty stomach. If the stem hadn’t already come off of its own accord, Roy now removed it, a signal to those in the know (Population: Me) that things were about to get a little weird. All attention had up to now remained essentially tangential or parallel to the surface of the apple, but now Roy turned inward, attacking the core itself. No matter how many times I witnessed this performance, which by the way was entirely wordless and unselfconscious, I kept expecting him to stop, to pitch the core in the garbage can, to call it a day. But Roy persevered. Woody fibers, shiny black seeds, even that little desiccated flowery thing on the bottom. Amazingly, everything went down the hatch. Before meeting Roy, I had never before witnessed any such display nor do I expect to see it duplicated ever again, and here you might expect me to conclude that such voracity suggested Roy’s zest for life or his constitutional inability to do anything halfway. Or perhaps to propose something even more hackneyed along the lines of a paradise lost or a special affinity for the fruit of the tree of knowledge. I think he just really liked apples. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 29 Title A name given to the resource He Ate the Whole Thing Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Sean Takats Contributor An entity responsible for making contributions to the resource Sean Takats Type The nature or genre of the resource Document apples Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Roy was my master's thesis advisor during the late 1980s. He always made himself available to talk and answer questions. He served on several occasions as the outside reviewer of my professional accomplishments during the 1990s. I cannot thank him enough for his time and wisdom. Roy, you will be missed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 115 Creator An entity primarily responsible for making the resource Russell Lee Contributor An entity responsible for making contributions to the resource Russell Lee Type The nature or genre of the resource Document Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. In various venues, friends and colleagues have remembered Roy for the myriad of qualities he possessed. Let me reiterate what I wrote for the History News Network and add a few more points: Roy's untimely death will leave an incredible void personally and professionally. Roy was instrumental in creating so many programs in the History Department and the university, from crafting courses leading to doctoral programs in cultural studies, in community college education, and in our PhD program in History and the New Media, one of the most innovative in the country. He directed our MA program for many years and hundreds of students admired, respected, indeed, loved Roy for caring so much about their intellectual development and treating them as colleagues. Roy rarely turned down any request to colleagues or students, however burdensome. We always wondered when (and if) Roy slept--in his abbreviated life, cut short at its prime, Roy accomplished more than most of us can or will if we had ten lives. Despite his many accomplishmemts: superb researcher and scholar with highly acclaimed and prize-winning books; a pioneer in digital history, a terrific teacher, again receiving the highest award from the state of Virginia for his efforts, he was uncommonly modest and unassuming. He shunned the limelight, giving othrs far more credit for what he actually created, conceived, or wrote. His work for the AHA, the OAH and countless othr professional organizations attest to the wide respect he garnered from colleagues in the US, and indeed, throughout the world. We had been close friends from the start of his career at George Mason and it will be terribly difficult to conceive of the department without his incredible presence. I recall, when he gave me a tour of the Center for History and New Media after moving to its new, shiny location in Research Building I, that he was obviously proud of the offices, the computers and the latest technology. However, he was equally proud of the newest office coffee machine and took positive delight in demonstrating its many attributes. So, to dear Roy--let me raise my cup and know that your good name, many accomplishments and creative ideas will, indeed, MUST live on. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 30 Title A name given to the resource To Roy Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Marion Deshmukh Contributor An entity responsible for making contributions to the resource Marion Deshmukh Type The nature or genre of the resource Document roy Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Roy Rosenzweig was my colleague across town at the Center for History and New Media at George Mason. We saw each other at meetings and conferences four or five times a year; I had gotten to know him more personally when my partner worked at the Center for a while. He was warm and generous, obviously the kind of colleague and mentor we all want to have. Roy had an impressive career filled with distinguished accomplishments. In 2003 he was the second of only five recipients of the prestigious Lyman Award, for outstanding achievement in the field of digital humanities. Others can (and already have) spoken to what Roy did as a teacher, a historian, and as a friend. I want to talk about something he built, because even though I never spent much time at CHNM I do have some experience with running a center. Running a successful center is hard enough, but building one from the ground up is Herculean. And sometimes, it must seem, Sisyphean. Roy told me about CHNM’s history once, how it began in his office in the history department. And then moved to more palatial digs in a leaky trailer on the George Mason campus. Last year, however, the Center for History and New Media was given pride of place in the University’s new Research I building, a state of the art space that finally offered CHNM the facility it so richly deserved. The amount of invisible labor that goes in to something like that is vast, and not the kind of work that is rewarded (or usually even noticed) in the academy. There’s purchasing. For everything, from paper clips to computers to furniture. There’s hiring and personnel. There’s countless meetings with administrators and other stake-holders. There’s budget work. There’s payroll. There are fortuitous but mission-critical conversations with people in hallways. There’s strategic planning. And that’s before we even get to the Center’s research mission, but in order to pursue that mission there first must be funding. That’s where grant writing comes in. Roy wrote lots of grants and was remarkably successful; but grant writing is not glamorous work. Long, detailed narratives are the backbone of any proposal, and these must strike a pitch-perfect balance between precision and rigor and intellectual energy. Budgets have to be meticulous, laid out in advance literally to the last dollar. There’s all sorts of other documentation that must be prepared, collated, and formatted, all just so. I’m dwelling on these details because I imagine this was a large part of Roy’s days and nights: invisible, often painstaking but essential work whose rewards are apparent only years later, if at all. But here’s the thing: today CHNM has a staff of over forty populating that state of the art research space. Roy has had lots of help along the way, and the Center’s future leadership could not be in better hands, but if I had to say what Roy did in a sentence it would be this: he created a place where forty people now come to do things that are so exciting that I bet every single one of them has nights they can’t sleep because what they really want is to be back at the Center. This is the pay-off of all the budgets and forms, all the paperwork, all of the long, tedious hours of administrivia: you get to do things so exciting you can’t sleep. Roy created a space where those forty people, and many more in the years to come, will meet, talk, and build things together. Amazing and wonderful and important things. Thanks Roy, I’m only one of many who will miss you greatly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 31 Title A name given to the resource Who Built CHNM? Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Matthew Kirschenbaum Contributor An entity responsible for making contributions to the resource Matthew Kirschenbaum Type The nature or genre of the resource Document chnm notSleeping roy Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. As he was to so many people, Roy was a wonderful mentor, friend, and scholar. I first met Roy in January 2000, when I was considering returning to do my Ph.D. I made my way from DC to the wilds of far-off Fairfax to take his postwar America seminar at GMU. Six and a half years later, though several classes, independent readings, many meetings at Murky Coffee and elsewhere, I defended my dissertation with Roy--proud to have him as the chair of my committee--after having passed my orals with him. Gentleness and scholarly prowess, kindness and academic rigor, student-centered teaching and professional accomplishment do not often go together -- but Roy was a model of how to bring this rare combination of scholarship, humanity, and pegagogy into one true gem of a person. It is hard to imagine not seeing and talking with Roy again, as all of our talks were so enjoyable and enriching, but he, and what he contributed to my life, always will be with me. -- Andrew Yarrow Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 33 Title A name given to the resource Remembering Roy, 2000-2007 Rights Information about rights held in and over the resource You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws. By submitting material to Thanks, Roy you release, discharge, and agree to hold harmless Thanks, Roy and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the Thanks, Roy\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation. Thanks, Roy has no obligation to use your material. You will be sent via email a copy of your contribution to Thanks, Roy. We cannot return any material you submit to us so be sure to keep a copy. Thanks, Roy will not share your email address or any other information with commercial vendors. Creator An entity primarily responsible for making the resource Andrew Yarrow Contributor An entity responsible for making contributions to the resource Andrew Yarrow Type The nature or genre of the resource Document