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I am one of the fortunate ones who benefited in profound ways from knowing Roy even though I did not know him very well. Larry Levine, whom I got to know when he served on an advisory board of a film reference book project that I was involved in, encouraged me to enroll in Mason’s cultural studies program by talking up the history department he recently had joined. He suggested I look at Eight Hours for What We Will. That book, along with Larry’s Highbrow/Lowbrow, showed me what could be done with the study of popular culture when historians approached it from a broader perspective. I recently completed my dissertation, writing much of it after both Larry and Roy had become ill. I realize now that in a sense I was writing it for them to read, knowing that in some ways, both obvious and oblique, it was hugely informed by their work.
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123
Title
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Writing for Roy
Language
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eng
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You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with Thanks, Roy in all media in perpetuity. If you have so indicated on the form, your material will be published on Thanks, Roy (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using Thanks, Roy. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws.
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Alan Gevinson
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Alan Gevinson
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Document
Eight Hours for What We Live
influence
Larry Levine
popular culture
writing