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Celebration
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Speeches from the Celebration of Roy's Life, December 9, 2007, George Mason University, Arlington campus, Arlington, VA.
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I am Betsy Blackmar, and I am one of the many people in this room who arrived in Cambridge, Massachusetts in the early 1970s very uncertain as to what exactly we were doing. Roy helped us figure that out. What do you do when you don’t know what you are doing? You organize a reading group; you form a collective to produce a journal, you make sure that all of your friends know each other—whether in person or as legends. You give other people drafts of your work to read and read theirs and talk to them. Roy helped us all collectively to gain the confidence to do our creative work, and he helped many of us find jobs, housing, roommates, and life-long friends. Given Roy’s faith in mutuality and reciprocity, it matters to me to think that I may have given him back one thing: he met Deborah at a party at my Cambridge apartment. (of course, given the principles of six degrees of separation on which he operated, they were destined to meet one way or another). And Deborah gave Roy back to us all a hundred fold by sharing his hospitality and wit, and, over the years,—I think it took a long time-- helping him see that he could do even more if he didn’t stay up all night or live on chocolate donuts and Tab or drive himself to exhaustion; she even taught Roy to take vacations, which just seems like a miracle.
Roy recruited me to help write a short screen play for a short documentary by Richard Broadman on Boston’s parks. Then, he suggested that we write a short book on Central Park. The thing is, the story was more complicated, there were more layers, we really needed to bring it up to the present, so more than six years and 600 pages later, we finished the Park and the People. But we would not have been able to do this had Roy not figured out the magic key to grant writing: all of our proposals started with a Johnny Carson joke from the mid-1960s—“It was so quiet last night in Central Park, that you could have heard a knife drop.” It was followed somewhere in the proposal by another one, “Did you hear the Soviet ambassador was mugged in Central Park last night? The park commissioner said it was an exceptional case: ‘it’s the first time they got a Russian’.” I never knew where Roy found these Johnny Carson jokes, but who else but Roy would recognize that someone sitting reading fifty pleas for money would be desperate for some comic relief? Of course, being Roy, he also compiled and analyzed all the crime statistics of the 1960s to prove that it was safer to be in the park than on the streets of New York.
It was not always easy to collaborate with Roy. It was not just the damn to-do lists and the feeling that you could never keep up with him. It was Roy’s honesty: you just couldn’t tell Roy white lies about why you hadn’t done something you said you would do. I don’t think Roy hated a lot of things, but I do think he really really disliked cowardly self-serving white lies and excuses. He also didn’t have much use for pomposity, grandiosity, arrogance, or abuses of power.
There is only one time when I think Roy was actually relieved that I didn’t follow through on something: for his 40th birthday, just after we finished the park book, I gave him a trowel and the promise of 100 daffodil bulbs. I had arranged to have the bulbs shipped to my house in Carmel, but, as it turned out, I didn’t travel to Washington that Fall, so I ended up planting them in my yard: he never asked me what happed to his opportunity to become a gardener.
When I think of Roy now, I think of that little crinkle and light in his eyes when he was telling or hearing a good story. I think of the pleasure of sharing Roy’s and Deborah’s stories of the Human Comedy. It is probably because he recognized and so readily forgave the foibles of his friends, his colleagues, his students, that Roy was able to help so many of us muddle through and collectively hold each other up through so many bad things, political and personal, of which surely one of the hardest is losing Roy himself.
Okay: no tears, no hugging, but here’s a lesson Roy would have allowed: start your grant proposals with a joke.
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Betsy Blackmar
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Betsy Blackmar
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http://blog.historians.org/news/348/roy-rosenzweig-1950-2007
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Roy Rosenzweig, 1950—2007
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Roy Rosenzweig, the Mark and Barbara Fried Professor of History & New Media at George Mason University, and a friend and councilor of the AHA, passed away yesterday, October 11, 2007, due to complications resulting from advanced cancer of the lungs.
Roy Rosenzweig
Rosenzweig was that rare academic: consummately knowledgeable, self-reliant, productive, intuitively creative, and above all, a humanist who helpfully bridged the often intimidating gap between the seeming elitism of academia and his students. At George Mason University, Rosenzweig also headed the Center for History and New Media (which he cofounded), and developed it with a pioneering enthusiasm, making it one of the leading centers for digital history.
Indeed, embracing emerging technologies with ardor, but always with a cautious sense of the possible and the real, Rosenzweig fused history and technology with a seemingly effortless ease that inspired many other historians to take off on their own exploratory voyages into new media.
Not surprisingly, Roy Rosenzweig and his colleagues at the Center for History and New Media and received many accolades, including the AHA’s James Harvey Robinson Prize for 2004 and 2006 (for History Matters and World History Matters, respectively, for creating web sites to help students navigate the complexities of U.S and global history). And just a few weeks ago, the Center for History and New Media received a $7.5 million grant from the U.S. Department of Education for creating a clearinghouse for information about history education.
Rosenzweig, who received his PhD from Harvard University in 1978, wrote or edited numerous books and articles including Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870–1920 (Cambridge University Press, 1983); The Park and the People: A History of Central Park (Cornell University Press, 1992), co-authored with Elizabeth Blackmar, which won the 1993 Historic Preservation Book Award and the 1993 Urban History Association Prize for Best Book on North American Urban History; and, most recently, with Daniel Cohen, Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web (University of Pennsylvania Press, 2006).
Roy Rosenzweig received numerous awards for his scholarship and professional contributions, including the Guggenheim Fellowship, which he held in 1989–90. In 2003, he received the Richard W. Lyman Award for his work with digital history. In March 2007 he was conferred the Distinguished Service Award by the Organization of American Historians, for his “outstanding contributions to labor and public history, and his dedication to reaching new and diverse audiences as expressed in his pioneering efforts in the uses of digital technology and new media.”
Dedicated as he was to his teaching, Roy Rosenzweig perhaps treasured more than anything else the admiration and affection of his students, three of whom, remarkably, now work at the AHA building. Roy Rosenzweig was the MA thesis adviser for Lee White, the executive director of the National Coalition for History, and for Chris Hale, publications production manager at the AHA. Rosenzweig was the PhD dissertation adviser for Robert Townsend, the AHA’s assistant director for research and publications. “I have lost both a mentor and a friend with the passing of Roy,” said Lee White. “Few people truly affect the direction that your life takes. Of all of the teachers I have had throughout my education, he is the one whom I will always cherish the most,” he added. Chris Hale particularly appreciated the fact that Rosenzweig was readily accessible to his students, and declared, “that’s rare in academia and, for me, was the best aspect about my whole graduate school experience.”
A long-standing and loyal member of the AHA, Rosenzweig served as the Association’s Vice President for Research from 2004 to 2006. Inventive as always, he used his tenure to bestir the AHA to break out of the inhibiting confines of the traditional annual meeting formats and introduced several new modes of presentation, and worked to open up access to scholarship not only at the meeting but from the pages of the American Historical Review. During his vice presidency, Rosenzweig also successfully led the search for a new editor for the AHR. Rosenzweig was also an enthusiastic founding member of the National History Center, an initiative of the AHA, and served on its planning committee.
In recognition of his invaluable contributions to the Association, to the profession, and to the discipline, the AHA chose Rosenzweig to be the next recipient of the Troyer Steele Anderson Prize to be conferred at the AHA’s 122nd annual meeting in Washington, D.C. Sadly, the prize must now be conferred posthumously. Roy Rosenzweig, a true academic visionary and superlative historian with a social conscience, will be missed by friends, colleagues, and students alike.
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American Historical Association Blog
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Chris Hale and Pillarisetti Sudhir
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<p><strong>For a Historian, Dying Young</strong></p>
<p>in memory of Roy Rosenzweig, 1950-2007</p>
<pre>
By a pond, by a hospital, a bird,
feathers as starched and white
as nurses' uniforms used to be,
stalks a muddy bank in red high heels.
Down into the muck of Florida
go eight scarlet inches of decurved beak
as if, tired of the clay that passes for food
in the afterlife, an ibis has stepped from a frieze
in some young pharaoh's tomb to feed.
Past a pool of ketchup where a French fry fell,
beak and claw leave their marks in mud.
Herodotus, father of history, father of lies,
if you're the thin shade under a palm tree
across the water, tell me a story that doesn't end
with my reading in the Times today
that emptiness sits at a desk in Virginia
where Roy should be. No longer
does his computer glow and thrum:
let the tree frogs of Arlington take note.
Let a crow call us to preen our black feathers.
Down leaf-littered sidewalks, down streets that sag
under the names of long-dead presidents--
is that Death the worker making his way in sober suit?
A crumpled page, a fallen leaf--gone too soon,
the labor historian, late of Lincoln Street.
</pre>
<p>--Debora Greger</p>
<p>I shared an office with Deborah in her first and my only year at Mason. By the spring of that year, there was mention on her part of someone she was seeing, someone who sometimes came to town. We all know who that turned out to be! And how we all miss him.</p>
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Elegy for Roy
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eng
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Debora Greger
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This is my October 21, 1007 column for The Examiner newspaper.
Being a teacher is as schizophrenic as being a student. There’s class, and there’s life, and “never the twain shall meet.” Students pretend to focus on schoolwork between the hours of 7:20 a.m. and 2:05 p.m., but who are they kidding? Certainly not their teachers, who remember what it was like to be constrained emotionally and intellectually by schoolroom rules.
As a teacher, I expect of myself more focus and less distraction, yet sometimes life insinuates itself into my lessons. While my students have been distracted by homecoming, I have been thinking about a distinguished George Mason University colleague who recently died of cancer at the age of 57.
Hundreds of Mason students and teachers are mourning his untimely death, but my high school students know nothing of Roy Rosenzweig’s digital histories or of his many contributions to GMU and his Center for History and New Media, and so I keep my sense of loss private.
While talking about literature in the classroom, I have been composing in my mind an email to his wife, whom I have known for over 30 years. How can I show her compassion when I have not suffered the loss of a husband? What comfort can I offer when I don’t really understand the devastating effect of that loss?
Oddly, I found the answer to that question grading papers. School and life merged the moment I read my classes’ essays on “Their Eyes Were Watching God,” which focused on the heroine, Janie’s, response to Teacake’s untimely death. What comfort did Janie find for the loss of her companion and the love of her life?
Student after student wrote that to Janie, Teacake still “lived” since his effect on her remained. She mentally projects her memories—“pictures of love and light”—against the wall of her home. She gathers up those memories and lifelong dreams and calls in her soul “to come and see.” Teacake “could never be dead until she herself finished feeling and thinking.”
Zora Neale Hurston’s words are Janie’s comfort, and were precisely the words I needed for Roy’s wife, Deborah. Roy’s books, teachings, and digital texts remain, and the memories of those who knew him are the “pictures of love and light.”
What also remain are the ways Roy changed others. Like Teacake, Roy treated people respectfully and graciously. His friends and colleagues have created a website (http://thanksroy.org) that reflects myriad instances when his personality and intellectual strengths made others wiser and stronger--“pictures” preserved.
Of course no website, no matter how moving or comprehensive, can begin to compensate for the loss of a husband or friend, a death that came decades too soon. But reading my students’ commentaries helped me see that books are often relevant to life outside the classroom, and that Hurston’s words have a function beyond my English curriculum.
Perhaps at a distant point in the future, some of my students will remember that a person’s “love and light” cannot die as long as they themselves have “feeling and thinking.” At that moment, they might realize that sometimes what we learn in the classroom can teach us about life. Sometimes “the twain” does meet.
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When Life and the Classroom Meet
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Erica Jacobs
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Celebration
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Speeches from the Celebration of Roy's Life, December 9, 2007, George Mason University, Arlington campus, Arlington, VA.
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My name is Jean-Christophe Agnew, and I knew Roy for some thirty five years. If that sounds a bit like the introduction for someone in recovery from something, that’s pretty much how I feel at the moment. And you too, I’m sure. All of us poised at one step or another of recovery from our loss. And because of the way Roy lived his life and took care of his friends, it is very much our loss. Sad as I am to be here – sad beyond words really -- I am relieved and comforted to be here with all of you.
Roy was many, many things, but he was, above all, his friends. There are others here today whose friendship with Roy goes back to high school, even junior high. But feeling trumps fact here, because one of the marvelous things about Roy was his gift for making you feel as if you had hung out with him in junior high. Thanks to Roy’s abiding allegiance and affection for us all – his remembrance of our birthdays, for example, his care to update us on our friends – we all belonged to the imagined community of Roy Rosenzweig: Let’s call it Royville.
So it is a comfort to me to see Royville assembled here this afternoon. No longer imagined, no longer virtual, but here, present. Once again, our friend and comrade, our confidant and collaborator has managed to bring us together. Though if were he here himself, you know that he would have a list of better things we might be doing with our time. Frankly, what we’re saying and doing today would have been unendurable for Roy, like a collective hug that went on and on, beyond reason. But what we’re feeling today -- certainly what I’m feeling -- is beyond reason. The love we felt for him, the love we took from him.
The last time I remember such a gathering was more than 25 years ago, at Roy’s and Deborah’s August wedding in Middletown, Connecticut, where I distinctly remember thinking to myself: A wedding. What a wonderful pretext, what a great excuse for all of us to call to order the first official meeting -- the charter meeting -- of the Roy-and-Deborah fan club. For that is what that gathering was at that moment of happiness there on that sunlit lawn on that summer afternoon, and that is what it still is, here in this room, at this moment of our grief and loss.
But was it not always been thus? From the legendary stickball games in Bayside to pick-up hoops in Cambridge, from dinners at 82 Kirkland Street to picnics in Craryville, from those godawful chocolate donuts and cans of Tab at the Urban Center at Harvard to the gallons of coffee at the History and New Media Center at George Mason, Roy drew us together in one way or another, turning the various pretexts for gathering into real texts: textbooks, monographs, anthologies, slide tapes, cd roms and finally the on-line loop of digital knowledge which so perfectly replicates (at least for me) the circles of friendship and knowledge that Roy himself generated over the years. Six degrees of Roy.
Early on, there was MARHO, the Mid-Atlantic Radical Historians Organization, the small nucleus of editorial collectives that started the Radical History Review more than three decades ago. Roy and I would often joke about the now long forgotten MARHO regional associates, a loose network of corresponding members –many of them isolated (by their own account) at various Midwestern and Southern colleges and universities. Wanting desperately to talk to someone, anyone, about, say, the impact of Daniel De Leon or the significance of the British General Strike of 1926. Had it not been for Roy’s empathy and his efforts over many years – all those letters and phone calls -- this committee of correspondence among left historians would have disappeared. No one else in MARHO was willing to take that job. And so it fell to Roy, or rather Roy rose to it.
Which is why the Thanks, Roy website seems so right, so apt an appreciation. All the Regional Associates of Roy’s life returning the favor, reminding us of the impact, the significance of this man in our lives. The impressions. The anecdotes. The remembered dialogue. Reading over these recollections, I see my best friend re-emerge, coalesce before my eyes like some pointilliste portrait.
No, wait. Pointilliste portrait? No, no, no….what I really see is that signature green or red ink underline scrawled beneath the word “pointilliste” with a polite question mark to the right. What is Roy telling me? Have I got the wrong technology? Should I substitute “dot matrix,” or maybe “pixelated”? Or is he suggesting that my figure of speech is itself a distraction, a way of aestheticizing and avoiding my own sorrow at writing about Roy -- without Roy? I’d ask him but I suspect that by this point in these remarks, Roy would have left this room looking for the coffee machine. Or better yet, fallen asleep.
Roy and I spent more than 25 years of our lives writing one thing or another together, from introductions to obituaries. But the longest assignment of all was the column we cobbled together three-times-a-year on history and historians: the Abusable Past. It wasn’t exactly Morrison and Commager, more like Click and Clack, the Tappet brothers of history. Looking under the hood of the profession was not so difficult given how many historians Roy knew and how much time he logged at conventions. So many conventions. Once, just for fun, we did a back-of-the envelope calculation of the time Roy had spent at conventions. It added up to a year. A full year out of his life. Now how he felt about that I don’t really know. And perhaps he didn’t either. But how many of us here in Royville would give a year out of our lives just to see him at the next AHA – in his red shirt and jeans – waiting at the registration desk to go out for coffee?
Thank you, Roy, for everything.
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Roy
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eng
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Jean-Christophe Agnew
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Historians
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In various venues, friends and colleagues have remembered Roy for the myriad of qualities he possessed. Let me reiterate what I wrote for the History News Network and add a few more points:
Roy's untimely death will leave an incredible void personally and professionally. Roy was instrumental in creating so many programs in the History Department and the university, from crafting courses leading to doctoral programs in cultural studies, in community college education, and in our PhD program in History and the New Media, one of the most innovative in the country. He directed our MA program for many years and hundreds of students admired, respected, indeed, loved Roy for caring so much about their intellectual development and treating them as colleagues. Roy rarely turned down any request to colleagues or students, however burdensome. We always wondered when (and if) Roy slept--in his abbreviated life, cut short at its prime, Roy accomplished more than most of us can or will if we had ten lives.
Despite his many accomplishmemts: superb researcher and scholar with highly acclaimed and prize-winning books; a pioneer in digital history, a terrific teacher, again receiving the highest award from the state of Virginia for his efforts, he was uncommonly modest and unassuming. He shunned the limelight, giving othrs far more credit for what he actually created, conceived, or wrote. His work for the AHA, the OAH and countless othr professional organizations attest to the wide respect he garnered from colleagues in the US, and indeed, throughout the world.
We had been close friends from the start of his career at George Mason and it will be terribly difficult to conceive of the department without his incredible presence. I recall, when he gave me a tour of the Center for History and New Media after moving to its new, shiny location in Research Building I, that he was obviously proud of the offices, the computers and the latest technology. However, he was equally proud of the newest office coffee machine and took positive delight in demonstrating its many attributes. So, to dear Roy--let me raise my cup and know that your good name, many accomplishments and creative ideas will, indeed, MUST live on.
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To Roy
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Roy Rosenzweig was my colleague across town at the Center for History and New Media at George Mason. We saw each other at meetings and conferences four or five times a year; I had gotten to know him more personally when my partner worked at the Center for a while. He was warm and generous, obviously the kind of colleague and mentor we all want to have.
Roy had an impressive career filled with distinguished accomplishments. In 2003 he was the second of only five recipients of the prestigious Lyman Award, for outstanding achievement in the field of digital humanities. Others can (and already have) spoken to what Roy did as a teacher, a historian, and as a friend. I want to talk about something he built, because even though I never spent much time at CHNM I do have some experience with running a center.
Running a successful center is hard enough, but building one from the ground up is Herculean. And sometimes, it must seem, Sisyphean. Roy told me about CHNM’s history once, how it began in his office in the history department. And then moved to more palatial digs in a leaky trailer on the George Mason campus. Last year, however, the Center for History and New Media was given pride of place in the University’s new Research I building, a state of the art space that finally offered CHNM the facility it so richly deserved. The amount of invisible labor that goes in to something like that is vast, and not the kind of work that is rewarded (or usually even noticed) in the academy. There’s purchasing. For everything, from paper clips to computers to furniture. There’s hiring and personnel. There’s countless meetings with administrators and other stake-holders. There’s budget work. There’s payroll. There are fortuitous but mission-critical conversations with people in hallways. There’s strategic planning. And that’s before we even get to the Center’s research mission, but in order to pursue that mission there first must be funding. That’s where grant writing comes in. Roy wrote lots of grants and was remarkably successful; but grant writing is not glamorous work. Long, detailed narratives are the backbone of any proposal, and these must strike a pitch-perfect balance between precision and rigor and intellectual energy. Budgets have to be meticulous, laid out in advance literally to the last dollar. There’s all sorts of other documentation that must be prepared, collated, and formatted, all just so.
I’m dwelling on these details because I imagine this was a large part of Roy’s days and nights: invisible, often painstaking but essential work whose rewards are apparent only years later, if at all. But here’s the thing: today CHNM has a staff of over forty populating that state of the art research space. Roy has had lots of help along the way, and the Center’s future leadership could not be in better hands, but if I had to say what Roy did in a sentence it would be this: he created a place where forty people now come to do things that are so exciting that I bet every single one of them has nights they can’t sleep because what they really want is to be back at the Center. This is the pay-off of all the budgets and forms, all the paperwork, all of the long, tedious hours of administrivia: you get to do things so exciting you can’t sleep. Roy created a space where those forty people, and many more in the years to come, will meet, talk, and build things together. Amazing and wonderful and important things.
Thanks Roy, I’m only one of many who will miss you greatly.
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Who Built CHNM?
Rights
Information about rights held in and over the resource
You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with <em>Thanks, Roy</em> in all media in perpetuity. If you have so indicated on the form, your material will be published on <em>Thanks, Roy</em> (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using <em>Thanks, Roy</em>. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws.
By submitting material to <em>Thanks, Roy</em> you release, discharge, and agree to hold harmless <em>Thanks, Roy</em> and persons acting under its permission or authority, including a public library or archive to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out the <em>Thanks, Roy</em>\'s use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.
<em>Thanks, Roy</em> has no obligation to use your material.
You will be sent via email a copy of your contribution to <em>Thanks, Roy</em>. We cannot return any material you submit to us so be sure to keep a copy. <em>Thanks, Roy</em> will not share your email address or any other information with commercial vendors.
Creator
An entity primarily responsible for making the resource
Matthew Kirschenbaum
Contributor
An entity responsible for making contributions to the resource
Matthew Kirschenbaum
Type
The nature or genre of the resource
Document
chnm
notSleeping
roy
-
https://thanksroy.org/files/original/cb125756ad49f41cad4f33bfcee92e61.mp3
363cc1436ebe7a9186d4b17aa8d8f4de
Sound
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
36
Title
A name given to the resource
alt.blues.roy
Language
A language of the resource
eng
Rights
Information about rights held in and over the resource
You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with <em>Thanks, Roy</em> in all media in perpetuity. If you have so indicated on the form, your material will be published on <em>Thanks, Roy</em> (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using <em>Thanks, Roy</em>. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws.
Description
An account of the resource
A very rough first take--I'll probably polish it up when I get time. Although to be honest, writing a piece of music for Roy is sort of like painting a landscape for Ray Charles. Roy would appreciate the gesture, I'm sure.
Creator
An entity primarily responsible for making the resource
Mike O'Malley
Contributor
An entity responsible for making contributions to the resource
Mike O'Malley
Type
The nature or genre of the resource
Sound
blues
music
roy
-
https://thanksroy.org/files/original/a1b4f626d9303fac6c065e7ae7f39d29.jpg
70732bd393960d6fc574a297a17bb538
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
484
Width
443
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
20
Title
A name given to the resource
fashion sense
Language
A language of the resource
eng
Rights
Information about rights held in and over the resource
You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with <em>Thanks, Roy</em> in all media in perpetuity. If you have so indicated on the form, your material will be published on <em>Thanks, Roy</em> (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using <em>Thanks, Roy</em>. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or in part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, submitted material must not violate any confidentiality, privacy, security or other laws.
Description
An account of the resource
Roy liked not to have to think about clothes, and he was a man of habits. Left alone, he'd of worn nothing but jeans and red shirts
Creator
An entity primarily responsible for making the resource
Mike O'Malley
Contributor
An entity responsible for making contributions to the resource
Mike O'Malley
Type
The nature or genre of the resource
Still Image
fashion
redshirt
roy
style